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‘The Office of Literary Endeavours: Maree’ appears in Postcolonial Text Vol 12, No1 (2017)

11 Jul

Theresa Hak Kyung Cha’s Dictee; Dictee Takes the Stage. Photograph by Soomi Kim. The cover of Postcolonial Text Issue 12: No.1

I am very pleased to have had ‘The Office of Literary Endeavours: Maree’ published in the on-line journal Postcolonial Text. This poem is an interesting one for me as it grew out of a novel I’m attempting to write. As part of my research I was reading a lot of poetry in translation. I found myself increasingly wanting to get ‘behind’ the translation to the poem – to read different translations of the same poem and to use online translation tools and dictionaries to create my own literal translations.

One of the poets who caught my attention during this time was the Spanish poet Luis Cernuda. Cernuda was born in Seville in 1902 and during the Spanish Civil War he found himself forced into exile when he was unable to return from giving a series of lectures in England. Openly homosexual and antifascist Cernuda spent the rest of his life in exile, dying in Mexico in 1961. It was while reading and playing around with Cernuda’s work in translation that I started writing some poems in a style that seemed to me to have a feeling of being translated. This is a hard thing to describe but I guess it is where you look at the multiple meanings behind each word and try and understand different ways of capturing the same idea or image.

One of the results of this exercise was ‘The Office of Literary Endeavours: Maree’  and you can read it here:

http://postcolonial.org/index.php/pct/article/view/2204/2039

“I can be tight and nervy as the top string on a violin” appears in ‘Tincture’ Issue 17

9 Mar

I’m excited to find my short poem, “I can be tight and nervy as the top string on a violin”, which is based on a line from a Sylvia Plath short story, has found its way into the latest issue of Tincture (Issue 17).

Tincture is an unusual journal as it is available in ebook formats (EPUB and kindle) only, no print or on-line versions. There are, a number of advantages to this strategy, Tincture can produce a journal which is available for sale to anyone with an internet connection and a device running freely available software. It is also able to sell the journal, something which is difficult for most online journals running on blogging platforms. Finally it can sell each issue at a fraction of the cost of a compatible print version. By establishing a income stream Tincture is also able to pay its contributors, something all writers should appreciate. There is, of course, on the other hand the issue of accessibility. One can’t simply click on a link, or order a hard copy, and start reading. But all in all Tincture is a innovative concept in the Australian literary scene, which has been running for seventeen issues now, and which deserves our support.

If the fact that Issue Seventeen contains my poem isn’t enough to convince you to click on http://tincture-journal.com/buy-a-tincture/ and buy it, here is the table of contents for the issue:

 

Editorial, by Daniel Young
Some Days, by Rebecca Jessen
Moederland: Part One: I’m Not From Around Here, by Johannes Klabbers
Political Reflections: The Day Trump Won, by Alexandra O’Sullivan
The Need for Poetry, by Mindy Gill
Water Lily, by Douglas W. Milliken
Ethanol, Eschar, by Charlotte Adderley
WWJD? by Nathanael O’Reilly
Compass, by SJ Finn
Plum, Flower, by Eileen Chong
Shoes That Go Krtz-Krtz, by Tamara Lazaroff
Beach Road, by Thom Sullivan
Great Expectations, by Denis Fitzpatrick
Avid Reader, by Rosanna Licari
Running Away from the Circus, by Philip Keenan
Spider, by Ailsa Dunlop
From ‘Autobiochemistry’, by Tricia Dearborn
Our Mate, Cummo, by Dominic Carew
“I can be tight and nervy as the top string on a violin”, by Mark Roberts
Venus, by Grace Jervis
Last Post, by Aidan Coleman
Fighting for Breath, by Paul Threlfall
Combination Soup, by Pam Brown
You Are Cordially Invited, by Sean Gandert

So click away and you could be reading the latest Tincture in a matter of minutes!

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Mark Roberts, Melinda Louise Smith and A Walk Through Gaza (Poetry From Palestine) At Don Banks North Sydney

19 Feb

don-banks

I’m looking forward to reading with Melinda Louise Smith and listening to A Walk through Gaza (Poetry from Palestine) this coming Wednesday night at the Don Banks Museum, 6 Napier Street North Sydney from 7.30 pm. I will be reading poems from my new manuscript Lacuna as well as some from my last collection Concrete Flamingos. Many thanks to Danny Gardner for inviting me.